Maxey presents yet another facet of his music via his personal voice on guitar. Whereas past ensembles have had a rotating cast of personnel and compositions, they typically were full of texture and buoyancy. Here, it's a stripped down, salt of the earth music, as much blues and it is jazz, and it's no less compelling.
It's easy to make an argument for the blues. And, actually, I don't think it needs an argument. For me it is an expressive and joyous cry that can describe the human condition with it's peaks and valleys. I find the blues at the root of jazz, and hope that whatever I play, it can be called blues. Or jazz. Personnel: Josh Maxey, electric guitar and David Nicholson, acoustic guitar. Argument for the Blues is album number 4 in a series of 6 records in 12 months.
July 3, 2012
This track appears by permission of the contributing artist and/or record company. It is for personal use only; no other rights are granted or implied.
The first jazz record I received
as a visiting gift from my
Japanese uncle at his
international division of
Toshiba EMI Tokyo was a
sample copy of Miles Davis'
Bitches Brew. A game
changer redirecting my
browsing habits and collection.