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"Pussy Cat's Gone Wild" by Sean Noonan
From the album
Man No Longer Me
Sean Noonan
Haldern Pop Recordings
2017
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Fiona's Comments
The wildness could do with a trim. Cockney Rebel (Mr Soft) for Millenials.
About the Album
Rhythmic Storyteller Sean Noonan has his debut release of "Man No Longer Me" which could be described as if Captain Beefheart, John Zorn, Lou Reed, Bela Bartok and Frank Zappa were out on a night of romance in quest of a good street fight. "Man No Longer Me" is a collection of songs that captures the elusiveness of Noonan's discoveries over the last few years with influences ranging from Harmolodic Jazz-Rock, Rhythmic Storytelling, Rock Opera and Avant-garde Chamber Music.
Track Listing
Man vs. Machine; Not I; Pussy Cat’s Gone Wild; Man No Longer Me; He Skarbnik He; Cupid’s Packing Heat; I Am Your Pineapple; Eat My Makeup; Queen of Kings; Lost in Guenter’s Wald; Bia.
Personnel
Sean Noonan producer, drummer, composer, vocals; Johnny Richards keyboards; Michael Bardon bass; Norbert Buerger guitar; Mandhira De Saram violin (track 3,6,7,8); Patrick Dawkins violin (track 3,6,7,8); Richard Jones viola (track 3,6,7,8); Valerie Welbanks cello (track 3,6,7,8); Manuel Cossu baritone (track 3,6,7,8); Matteo Siddi tenor (track 3,6,7,8). Marta Melis alto (track 3,6,7,8) Alice Madeddu soprano (track 3,6,7,8) Adam Roszkowski violin (track 4,5,9) Jan Roszkowski cello (track 4,5,9) Maciej Afanasjew violin (track 4,5,9) Adam Debski viola (track 4,5,9) Harry Saltzman sax Robert Alonso trumpet Roman Sladek trombone Sean Hargreaves co-producer Samuele Dessi vocal tracking Rikky Damian string tracking Michal Kupicz mixing Graemme Brown mastering Dirk Eusterbrock photography April Townes special effects makeup
Reviews
- Man No Longer Me by Matt Hooke
- Man No Longer Me by Friedrich Kunzmann
- Man No Longer Me by Chris Mosey
Date featured
November 23, 2017
This track appears by permission of the contributing artist and/or record company.
It is for personal use only; no other rights are granted or implied.
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Jazz Story
Jazz combines creativity from the mind, heart, and the gut. It flourishes through structure and uses melody and rhythm to bridge the musician's creativity and the listener's imagination. I try to appreciate all forms of music and styles of jazz but find myself drawn to the “hot music” of the twenties through the early thirties, including its many contemporary incarnations
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By Andrew J. Sammut
Member since: 2010
